Tawashuj Mirror

A gem drawn from the memory of the Arabian Peninsula.

Where creature entwines with landscape. The piece is reimagined as mountain, valley, and habitat, a gem drawn from the memory of the Arabian Peninsula.

This piece dissolves the boundary between animal and land. The hump rises like rock shaped by wind and silence over millennia, and the spaces between curves become pathways worn by water into stone. The creature is not placed within the landscape; it is the landscape. Creature and earth emerge as one, born from the same forces that carved the habitat. This is not merely a depiction but a way of seeing. A quiet insistence that a living being and the place that shaped it are, in the end, inseparable.

Vitturi Chair

The Vitturi Chair is presented as a collectible design piece that offers an intelligent interpretation of the movement of the Saudi shemagh, translated into mirrored metal curves whose visual reading shifts with light and motion. The piece is built on a fluid formal language and a cohesive sculptural mass that treats material as an expressive element rather than a neutral medium. The surface reflections and refined edges create a visual experience that balances delicacy and boldness at once. The designer emphasizes that the inspiration comes directly from the rhythm of the shemagh, and that the glossy finish is part of the chair’s identity, describing it as an embodiment of organic elegance and smooth, curved lines.

Butterfly

Butterfly is a sculptural piece that lives in the tension between stillness and motion. Formed from deep crimson metallic surfaces that fold and curve like wings mid-flight, the piece draws its power from the way it interacts with light absorbing it, reflecting it, and casting it back as something entirely new. In darkness, it glows from within; in light, it burns. The choice of deep red is intentional, not merely a color, but an emotion, evoking both the fragility and the fierce beauty of the butterfly as a symbol of transformation.